Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to
parents who strictly banned the genre from their house, he dove
headfirst into the world of music. By the time he graduated high school
at fifteen, Crowe was contributing to Rolling Stone. His parents became
believers, uneasily allowing him to interview and tour with legends like
Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash &
Young; and Fleetwood Mac.
The Uncool offers a front-row
ticket to the 1970s, a golden era for music and art when rock was
young. There’s no such thing as a media junket—just the rare chance a
young writer might be invited along for an adventure. Crowe spends his
teens politely turning down the drugs and turning on his tape recorder.
He talks his journalism teacher into giving him class credit for his
road trip covering Led Zeppelin’s 1975 tour, which lands him—and the
band—on the cover of Rolling Stone. He embeds with David Bowie as the
sequestered genius transforms himself into a new persona: the Thin White
Duke. Why did Bowie give Crowe such unprecedented access? “Because
you’re young enough to be honest,” Bowie tells him.
Youth and
humility are Crowe’s ticket into the Eagles’ dressing room in 1972,
where Glenn Frey vows to keep the band together forever; to his first
major interview with Kris Kristofferson; to earning the trust of icons
like Gregg Allman and Joni Mitchell, who had sworn to never again speak
to Rolling Stone. It’s a magical odyssey, the journey of a teenage
writer waved through the door to find his fellow dreamers, music geeks,
and lifelong community. It’s a path that leads him to writing and
directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything... to Jerry Maguire and Almost Famous.
His movies often resonate with the music of the artists he first met as
a journalist, including Tom Petty and the Heartbreakers, the Who, and
Pearl Jam.
The Uncool is also a surprisingly intimate family drama. If you’ve seen Almost Famous,
you may think you know this story—but you don’t. For the first time,
Crowe opens up about his formative years in Palm Springs and pays
tribute to his father, a decorated Army officer who taught him the
irreplaceable value of the human voice. Crowe also offers a full
portrait of his mother, whose singular spirit helped shape him into an
unconventional visionary.
With its vivid snapshots of a bygone
era and a celebration of creativity and connection, this memoir is an
essential read for music lovers or anyone chasing their wildest dreams.
At the end of that roller-coaster journey, you might just find what you
were looking for: your place in the world. - Simon & Schuster
On January 7, 2023 my dad and I saw one of the final
Broadway performances of Almost Famous: The Musical, based on Cameron Crowe’s semi-autobiographical
film of the same name. We are both big fans
of Carmeron’s work, musical theater and Almost Famous so these tickets were a
delightful Christmas gift. It was my dad who introduced me to Cameron’s work by recommending his film, Fast Times at Ridgemont
High way back when renting VHS tapes at your local video store was still a
thing. A lot of people I’ve spoken to
about Fast Times at Ridgemont High don’t know the movie was based off of Cameron’s long out of print novel of the same name and based on his experiences “going undercover” at a
real California high school. I was
elated to be gifted a copy for Christmas a few years ago by you guessed it, my
dad and fellow Crowe fan.
You can imagine our enthusiasm when I discovered that
Cameron was finally publishing his memoir, The Uncool. I tried to savor this and read slowly but it
was just so engrossing that I burned through it in just a few days. If you’ve seen Almost Famous, you may be
familiar with some of the beats of Cameron’s life as teen journalist who went on
the road with rock bands and wrote for music magazines such as Rolling Stone as
did William Miller in Almost Famous. However,
Cameron’s life was much richer and his family dynamics much more heartwarming, heart
wrenching and at times dysfunctional. His
experiences on the road with artists such as The Allman Brothers Band, Led Zeppelin,
David Bowie and many others will likely leave your jaw on the floor. The book ends as Crowe transitions from rock
journalist to screenwriter and I hope there is a follow-up to his memoir that
explores more of this transition to writer and director. I’d love to read more about my other
Crowe favorites such as Vanilla Sky.
I was fortunate enough to receive an ARC of The Uncool by
Cameron Crowe thanks to the publisher, Avid Reader Press/Simon & Schuster
via Netgalley in exchange for an honest review.
You can find your copy at your favorite local bookseller,
online retailer or library.